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The then-28-year-old Reggie Hudlin believed that authenticity is what resonates universally. Combined with the film’s ethnic wit and edge, and its raucous energy, it adds up to a cultural richness rarely found in standard teen comedies.” “Shot for $2.5 million with a nearly all-black cast and a crew the Hudlins tabulate as 65% African-American, the film is loaded to the max with specific references–jokes, fashion, dance, music, language, products, politics–to the black teen-age hip-hop subculture. Critics raved, and took note of House Party’s uniquely African-American lens. After a decade of classic 80s teen movies like Weird Science and Pretty In Pink, films that mined the angst of coming of age but from a decidedly white perspective, here was a film telling a story of Black teenage culture at the dawn of the 1990s. The late John Witherspoon also makes a memorable appearance as an angry neighbor-one of many scene-stealing appearances he would have in classic Black comedies throughout the 1990s.Ī box office hit in the spring of 1990, House Party was a trailblazer.
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But the movie became a major part of a legacy that has continued in the decades since his death. He died of a massive heart attack just days after the film hit theaters. It would be Harris’ biggest role, and sadly, his last. As “Pop,” Harris was the grumpy-but-hilarious dad–attempting to catch his wayward son, Kid, after the teenager sneaks out to attend the shindig at Play’s house.
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The soul of House Party was the late comedy legend Robin Harris. So because Tisha was the thespian between the two of us, she was very strong in saying ‘Let’s create a friendship that other sisters will want to emulate.’” Tisha and I were creating this friendship. I didn’t live in the projects, so I understand half these lines and jokes. “Not at all!” she says with a laugh when asked if she knew at the time that this project was special. But she focused on the bond between she and Campbell’s characters. On-set, Johnson admits that she didn’t get the movie initially. She said ‘I’ve got an audition for a movie called House Party!’ I said ‘Me too!,’ and she was like ‘omigod! Let’s go at the same time!” I’d done little bits of acting, but more so dancing. At the time, Tisha was my friend but more my mentor. By the time he set up my audition, it was actually a pairing for the Sidney and Sharane roles. They were looking for a brown-skinned dancer, high energy, attitude, fun loving–and that’s kind of where it began. He told me there was a film he was representing that I was perfect for. “ was also the attorney for Reggie and Warrington Hudlin. “I was just coming out of In Living Color,” Johnson recalls to VIBE. The two actresses already knew each other when House Party began casting. Johnson) are at the center of both the film’s romantic conflicts and their own semi-rivalry. A virtually unknown Martin Lawrence soon joined the cast as Kid ‘N Play’s hapless buddy, Bilal-fresh off his first big screen appearance in Lee’s 1989 classic Do The Right Thing.Īs the film’s two female leads, Sidney (Tisha Campbell) and Sharane (A.J. Initially written for Grammy-winning pop-rap duo DJ Jazzy Jeff & The Fresh Prince, the starring roles instead went to their contemporaries Kid ‘N Play, a pair of fleet-footed rhymers from Queens who’d enjoyed a string of rap hits helmed by superproducer Hurby “Luv Bug” Azor.
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Looking to hop on the post-Spike Lee Black film wave, the studio greenlit the movie.
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In 1987, brothers Reggie and Warrington Hudlin turned the short into a full feature script, presenting it to New Line Cinema, the movie studio then predominantly known for the Nightmare On Elm Street horror series. The film was born of a 1983 short that was shot and produced by Hudlin while he was still a student at Harvard.