Fukunaga following their acclaimed collaboration on Sin Nombre.
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The director of photography on Jane Eyre is Adriano Goldman, reteaming with Mr. The supporting cast includes Jamie Bell (of Focus' September release The Eagle of the Ninth), Academy Award winner Judi Dench, Holliday Grainger (of the upcoming Bel Ami), Golden Globe Award winner Sally Hawkins ( Happy-Go-Lucky), Tamzin Merchant (of Focus' Pride & Prejudice), and Imogen Poots (of the May release Solitary Man). Focus senior vice president, European production Teresa Moneo is supervising the project for president of production John Lyons. Christine Langan, Creative Director of BBC Films, is executive-producing for the BBC. Ruby's Alison Owen (an Academy Award nominee for Elizabeth) and Paul Trijbits ( Fish Tank) are producing Jane Eyre. The screenplay adaptation is by Moira Buffini, who for Ruby and BBC Films adapted the upcoming Tamara Drewe. Rochester - and the terrible secret that he is hiding. As Jane reflects upon her past and recovers her natural curiosity, she will return to Mr. Rochester's coldness - have sorely tested the young woman's resilience, forged years earlier when she was orphaned. The isolated and imposing residence - and Mr. Wasikowska), flees Thornfield House, where she works as a governess for wealthy Edward Rochester (Mr. Mia Wasikowska ( Alice in Wonderland) and Michael Fassbender ( Inglourious Basterds) will star in the lead roles of the romantic drama. Focus CEO James Schamus made the announcement today.
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Cary Fukunaga, whose debut feature was Focus' award-winning Sin Nombre, is directing Jane Eyre, to which Focus holds worldwide rights. on Focus Features and BBC Films' romantic drama Jane Eyre, produced by Ruby Films and based on Charlotte Brontë's classic novel.
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All the while, White advances the story with artistic camera angles, appropriate lighting and a keen eye for detail.Cary Fukunaga will direct Mia Wasikowska and Michael Fassbender in the film. Their attraction occurs too quickly to be fully savored, but there’s no doubt about the chemistry between Wilson and Stephens. Rochester fall in love, but naturally, there are unforeseen complications that intrude on their happiness and push them apart. Rochester (Toby Stephens), the wealthy master of Thornfield Hall. She advertises for a governess position and is hired to care for the spirited ward of Mr. She has somehow survived the experience and managed to get a good education as well. White’s direction brings out all of those qualities, drawing us in to the enigma of Jane as much as to the story itself.īronte’s novel, published in 1847, is about a parentless child who is poorly treated by the wife of her late uncle and, ultimately, sent to live in a cold and loveless orphanage. On top of all that, Wilson has a Mona Lisa smile, a slightly mysterious glow, that makes her a riveting presence. As Jane, she has to reveal her inner emotions without expressing them outwardly, which she does effortlessly. Neither a dazzling beauty nor plain, Wilson exudes confidence. This was accomplished with the discovery of newcomer Ruth Wilson, who acts as if she was born to play the part. The key to getting this story right is, first and foremost, finding the right Jane. By doing all this, the robust, two-part, four-hour “Masterpiece Theatre” program raises the bar for future “Jane Eyre” productions to a level that will not be easily hurdled.
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Scene after scene transports viewers across time and space to a place made vivid and real. The careful restoration applies not only to the characters but also to the breathtaking cinematography.